Skip to main content

Agnimalya May 2018 for my patrons

Agnimalya May is out in Patreon for my patrons there.
Hope you are enjoying the stories, do let me know if you want something in particular. I will try!

This month there is one complete story, and three series! I am sitting on a hillock of unfinished stories I want to finish! Do let me know if it bores you and you will rather have short complete stories. If you start a story in middle don’t worry, I can give you the older copies of Agnimalya at $1 each copy, or you can buy most of the stories in Shoptly after they have finished here.

As you all know these are my creations, copyrighted works, you are free to use them as long as you treat them as my property-mention my name as the creator and leave a link to my blog and inform me with the details of your use (non-profit) or discuss the financial side if you like them enough to publish them in your ezine, blog etc to sell. Just let me know!

Happy Reading!
With best regards and wishes.
Sharmishtha Basu
10.5.18
You can buy my works from these spots if you want to:
https://www.amazon.com/author/sharmishthabasu
https://shoptly.com/sharmishthabasu
or become my patron in patreon
https://patreon.com/sharmishthabasu
or buy them directly via paypal
https://www.paypal.me/sharmishthabasu
[don’t forget to send me your booklist and email id after making the payment in paypal-either include it in your remarks/comment in paypal or send me a mail-sermistabasu@gmail.com]

Comments

Popular posts from this blog

Agnishatdal Poush 1426 Critique by Troy David Loy

Agnishatdal Poush 1426 Critique: Agnishatdal Poush 1426, December 2019 https://gumroad.com/l/umPGr https://shoptly.com/i/mon by Troy David Loy https://www.amazon.com/author/troyloy iravu vanakkam. naandaan Troy. Welcome to the Poush 1426 review of Agnishatdal! Here are a few of the outstanding features for this issue… First there’s… … Let us Begin… Our Virtual Trip to India This painting shows a young woman leaning, her back to a tree, while a small fishing boat travels past on the river in the background. Bharatendu Harishchandra So, here is one whose linguistic influence was deep and far-reaching. I must look for any published works of his that remain in print, and I suspect that these are more than a few sources I can look on. Rupjibi and Kalambiji Saptarchi criticizes the intellectual failures of modern Indian movies made for money, not the writer’s craft. Masai 1 of 4 Brieuc begins this series on the Masai people

Shubho Jagaddhatripuja!

    Shubho Jagadhdhatripuja, May our worlds be blessed forever. Wish you all a very blessed time ahead. Love.

Agnimalya July 2018 in patreon for my patrons

A piece from The Soul Devourers Now available in shoptly as Agnimalya Book 9 https://shoptly.com/sharmishthabasu   "The names that our parents gave us were Agni (Fire) and Vari (water), yours was Agni, mine Vari, based on our natures, of course; I don’t think you would mind if I call you Agni." Her sister asked.   She shrugged.   "Who are these people?" she asked.   "These people were once human beings. Their greed was too strong, so strong it tempted them into selling their soul to the devil. There is a temple in Gajmahal, where they worship the devil, and have been for centuries. These soul devourers –– yes, that’s what they are called because that’s what they become capable of devouring souls–– souls of their victims are their life-force. That keeps them alive, as some of them are centuries old. Their head priest was one of the first priests of the temple, and has done it for centuries now."   "These p